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“Feel” Project Part 8: A List and a Mess
- Cut more material from the Google Docs
- Reformatted material to be single lines per bullet point, likely to do one line per slide
- Wrote new material while visiting MoMA – though more inspired by the space than any particular piece
- An idea to do this as a public Google Slides that I add to on an ongoing basis
- FEEL is for people who view memes as art and enjoy reading thoughtful comments online
- FEEL is just the placeholder name for the project right now. Feel Like is another possible name
- Updated the Google Slides with some inspo
- Should I add some GIFs?
- 3:48 AM and story ideas are coming to me. What if this was the story about a young man who loses his ability to identify his feelings?
- After a freak accident, Ray Tungsten loses his ability to identify and express his feelings. He goes on a search…
- Superheroes with specific feeling-related abilities?
- “Hiding in plain sight” is an interesting idea that may have a place in this project
I need to see this as more step-by-step, even if it’s a nonlinear step-by-step. You can’t go right to love. Before love is a relationship. Before relationship is a date. And before a date is a conversation. Before a completed project is a set of pieces. Before a set of pieces is a piece. This doesn’t seem to make as much sense to me. I’m of course bringing this back now to the Feel project since that seems to be my current obsession. It’s messy right now. Looking to untangle and find a clearer direction. But maybe this is the bewildered lost stage before finding something else. Maybe I need the mess to find something better than the mess and better than the parts making up the mess. Intentional messiness to make sure I don’t miss anything. But I will miss things. That’s the nature of doing any creative project. I will miss things. I must focus on what is rather than what’s missing. I think if I look through older journal entries, it will help me find realistic source material to use for this project. And I shouldn’t feel like it’s cheating because even if it’s not writing something “new” it’s finding things I’ve already written, recognizing that they would work in the context of the project, and bringing them into the project. But I don’t want to bring “past” feelings into this because shouldn’t this also serve as a documentation of this period of time in my life? Maybe the scope of this is too broad. FEEL is a really wide net. But I don’t want to get too narrow. I’m also wondering how to fit in or not fit in other things that are inspiring me. I’m on a cyberpunk kick right now and I don’t really see that fitting in but maybe.
I feel fake.
This is Part 8 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 7: Colors, Making Cuts, Memes and Such

I started a slideshow on Google Slide and put some placeholder images and text for different layouts along with some notes and variations for designs and font choices. Can’t think of a good font. I may use my handwriting. BuzzFeed tells me it’s “stupid easy” to turn my own handwriting into a font. Calligraphr is the app to use.
Trying out some possible colors. I’m using this tool Cymbolism which “attempts to quantify the association between colors and words, making it simple for designers to choose the best colors for the desired emotional effect” to explore some colors that can work for this project. I like this tool because it allows people to vote for associations rather than relying on accepted wisdom.
The words I explored: amusing, authentic, creative, cute, ecletic, imagination, magic, mystical, personal, playful, and surprise. Two common top results among these were:
Fuchsia
#ff00ffYellow
#ffff00Which is interesting because I was thinking of using a pink with regards to this project.
Here’s a recent meme expressing a similar idea I wrote about in Hool, my first published work of writing.

“Temporary tattoo”
Sweet glass machine
full of black curly borders, gorgeous designs
for only a quarter.
Reach into my pocket, change kept in knickers, only one dollar
for four tattoo stickers. Make my deposit and hear clink clink clink,
turn around the knob
to get ink and ink and ink. Bring up my collection,
so proud and happy.
They stick to my body like a tooth full of taffy.Disappointment.
My arms feel too bare.
I must go back,
I need more things to wear.Ten, twenty, thirty tattoos,
I suddenly grin.
I can’t wait
til these all cover my skin.
I start cackling
with my crazy amount.
I’m an old passport,
more stamps than I can count.
But the store closes
and decides to kick me out.Cloaked by the darkness,
I sneak back inside.
Nobody will stop me
from covering my hide!
My hand breaks the glass
and the machine opens wide,
on my nose, toes, and eyes!
Red and blue sirens
pierce through the night.
I baptize myself
with a childish disguise.
Nothing can stop me now!
Until much to my surprise,
cuffs around my wrist,
a new temporary prize.Here’s another meme, this one related to the idea of someone missing a feeling.

Here’s another meme showing someone missing a feeling, and this one was some synchronicity for me because I read about this case only two days prior and planned to include a link to an article about it in one of these posts. Some meme creator must’ve been on my wavelength.

And here’s an ad expressing a feeling and someone expressing a counter-feeling using their hand.

I haven’t produced any new raw material but I cut some material from the Google Docs. I deleted all the material I had for the following:
- Feeling some type of way
- It’s an abstract kind of feel
- I feel like I feel
- How I feel about how I feel
- How do you feel? (I feel you)
I think my interest in this is moving beyond explicitly having “feel” phrases as all of the pieces. It’s proving to be too gimmicky and doesn’t have or inspire much gold. I also just don’t have any material for some of the titles I currently have set as the pieces. With this excess cut, I think I’m going to hone in on the glimmers I have.
This weekend I plan to explore some some unpublished writing I have that might fit with the project, look through my Evernote, try to get some more raw material to work with, as well as exploring the viability of doing this as a slideshow.
I don’t have or want a plot. I don’t have an overarching theme outside of feelings. I don’t have a world built for this. I don’t have a tone or style. It’s still very early. What do I want people to experience as they read this? What do I want to experience as I write this? Who am I writing this for? Why am I writing this? Do I want this to be 50/50 verbal/visual? Do I want more verbal or more visual? Is there any strong reason to do this? Should I give up on it? Do I need to quiet down the blog and step away from this for a while? What is it about this project? Where are the glimmers? Where’s the gold?
This is Part 7 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 6: Looking for Glimmers
Here’s a PDF of the project: FEEL (October 18, 2017 Version)
I would consider this a very early stage. This period of time is about sifting for the gold, the right tone, the right words, the right feeling. I don’t know where the gold is in this but I’m getting some glimmers.
How do I know when I’ve found the gold? It’s almost impossible to tell. Sometimes there’s fool’s gold in the mix. Sometimes something that looks like garbage is actually later revealed as gold in a different setting or time. I try to catch glimmers and follow them.
Here are the pieces where I see some glimmers:
- “I just feel like”
- “So many feels”
- “That feel when”
- “There’s no better feeling”
- “You don’t know how it feels”
These are all like list poems. A lot of TRAPPED IN DEJA VU TV felt like lists of one liners even if there was a cohesion to them thematically, and something of a story buried within. Also reminds me of a piece from better by foot called jaywalking leads to:

Even though this additionally had a gradual increase in scale and scope with each line. Maybe this is my poetry voice? Maybe it resembles the fractured, frenzied, collective economy-of-words of a tweetstorm or rattling off a bunch of chat messages in a row. It’s hard to create and be a critic.
“So many feels” is a piece I want to highlight because:
- I generated the core feeling word combinations by intentionally mixing words from a list of pleasant feelings with words from a list of unpleasant feelings.
- I am trying to replicate this particular mixed emotion/contradictory emotions Spotify playlist someone posted and discussed on a somewhat major blog I had found a couple years ago and found really interesting. I’ve been unsuccessfully search for what that particular combination was or even where it was posted. That feel when you can’t find something you’re looking for! But to shout out something from The Book of Human Emotions as part of the entry for Bewilderment, “It is reminiscent of the old homily: lose something, and you might stumble onto something far better while looking for it.” I feel like I’m stumbling onto my own thing searching for this. This is a glimmer.
- I love contradictions, paradoxes, mixed feelings, polar opposites coexisting.
- I am fond of some particular passages I’ve added for it:
is it shamefully lucky like the sole survivor?
is it powerlessly fortune like their family?
is it miserably thankful like their family?is it courageously doubtful like a stubborn juror?
is it energetically uncertain like an adderall-addled adolescent?
is it liberatingly indecisive like a retired CEO dining in Cabo?
is it optimistically perplexed like a bored scientist stumbling on a phenomenon?
is it peacefully alone like a seasoned novelist working on part ten?
is it comfortably fatigued like a bodybuilder collapsing in bed?
is it pleasingly useless like a disgruntled employee zoning out in a meeting?
is it vulnerably clever like a college freshman attempting a rebuttal?is it bravely aching like a celibate at a strip club?
is it heartbreakingly challenged like the most desirable love?
is it wrongfully hopeful like a naive boyfriend?
is it impulsively tearful like a manipulative girlfriend?
is it painfully sure like an exhausted friend?is it hatefully interested like every enemy ever?
is it offensively receptive like an enemy engaged?
is it irritatingly understanding like a supposed enemy?
is it hostilely reliable like a former enemy?
is it insultingly easy like forced friendship through shared experience?
is it discouragingly joyous like people living values you despise?
is it repugnantly festive like those celebrating a win you can’t share?is it hesitantly impulsive like an up-and-coming starlet?
is it embarrassingly provocative like a starlet past her prime?is it despairingly certain like someone who know what they must do?
is it frustratingly relaxed like someone who did what they had to but can no longer define themselves by what they must do?is it disinterestedly warm like the greetings of service workers?
is it suspiciously fascinated like a tip-motivated service worker?
is it anxiously intrigued like the person eating alone?
is it dully considerate like well-socialized patrons?is it frighteningly curious like someone with a badge knocking at your door?
is it worryingly engrossed like someone ignoring the knock?
is it achingly brave like someone who answers?is it crushingly eager like the preteen spirits?
is it tormentingly keen like the hormonal teen?There’s some poetic stuff in here. There’s wisdom. There’s meaning. There big stories told in a short span. I also really enjoy the wordplay I achieved with that final cited line above. The rhyme of “een” sounds, the rhyme of “orm” sounds, the consonance of t’s, l’s. And there’s meaning to it, along with its relation to the line above and my nod to Nirvana’s “Smells Like Teen Spirit.”
Do I spread out all the content from “So many feels” into the whole thing, making that the meat of the project? Maybe the real title is “What is this feeling?” and the whole thing is, much like this blog, about the journey and not the destination. There’s no neat and tidy resolution at the end but there would be many exits along the way, different feelings people can relate to or discover. Hmmmmmmmmmmmmm. With every sleep, with every word read and word written and thought thought and feeling felt, the glimmers become more apparent. Keep sifting. Keep producing raw material to sift through. Though I should consider that it can’t just be gold after gold after gold. Sometimes you need a little garbage around to make the gold stand out. And give everyone a break. Though there’s something divinely enticing about making a solid gold work. Or whatever metal is your sin. Platinum, silver, titanium. Pick your metaphor. I don’t remember anyone sifting for these though.
Standing in my kitchen, swigging some water, and zoning out around three AM. As I focus, the microwave settings are in my line of sight and I see “warm hold.” I focus in on this because warm registers feeling, hold registers feeling, it almost looks like it should say “warm cold” but is a fake out, and is a novel word combination. I. Ducking. Love. Novel. Word. Combinations. Beginning and end of story.
I think some people seem to express their feelings on social media with regards to a certain event or situation that’s happening and they say it’s empathy but maybe it’s moreso how they feeling and not them feeling how the others feel.
Visions of doing this as a slideshow. Can arrange text in many ways. Can arrange photos in many ways. Can use my Photoshop technique for the photos. Can do things like: photo on right and text on left, leading into a slide with three photos like a comic movement thing. Almost like a digital picture book. A picture book! Holy Shiraz.
This vision flash happened on my train ride home from work. It was a welcome flash after wallowing in my sleep-deprivation induced irritability. I’ve thought of doing a slideshow art project in the past, TRAPPED IN DEJA VU TV was vaguely like that but not quite. I was working on a presentation deck (PowerPoint) at work this week and that likely made this top of mind.
This is Part 6 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 5: “You can’t make a mistake”
It’s time to listen to more Alan Watts. Though I agree wholeheartedly with Nick Tait’s comment on this particular video:
“Why do people always put music to his lectures? It gives this sense of false sentimentality that is out of context with the speech. As a musician I find it incredibly distracting from the meaning of his words which sound beautiful with the silent gaps he leaves. Its like I’m being told how to feel in accordance with someone’s interpretation rather than being able to extract my own feelings from his speech. Sorry for the rant its just prevalent on his talks on YT and a shame.”
I still feel paralyzed at the prospect of making mistakes. This is most pronounced at work since there are people watching and waiting to rightfully criticize when a mistake is made. I also criticize myself pretty harshly when I make a mistake. But this attitude expressed by Watts is like the freestyling, improvisational credo. The times I feel like I can’t make a mistake, not that I won’t make a mistake but that “mistakes” themselves don’t even exist, are amazing times. I produce creatively, I laugh and make others laugh, and enjoy myself.
This relates to me overcoming my perfectionist tendencies from childhood, which are still deeply imprinted on me, as well as my fascination with errors, misprints, and bloopers. What ever happened with that project idea? It found its way into TRAPPED IN DEJA VU TV for sure. I really enjoy that misprinted business card. And that tiny printed cover on the page. When talking with Scott and others at Dan’s party, we concluded that it feels more authentic and it’s more rare really. This also relates to my stated interest in broken English because in the right (there goes my limiting right/wrong dichotomy) context it reveals new truths, new perspectives, is funny, and so on. It’s like breaking stupid rules.
I’m also noticing these little production details in music like Vampire Weekend, Beatles, St. Vincent, Dirty Projectors, and so on that are like little flourishes and accents on certain notes. What can I learn from that technique?
How does this relate to feel? Well mistakes have to be felt in a certain way. Realizing mistakes don’t exist is a slightly enlightening feeling. I’m definitely stuck in the comfort zone, hedonic treadmill thing. Just being on the subway and commuting into work. Same old shit.
How would I make this project if I made it from the mindset of “I can’t make a mistake?” I wonder if I’m building this up into too big a mountain. Maybe this blog alone really is the project itself. Of course, this is me learning and dealing and processing and discovering and trying.
“I feel perfect”
I feel like a mistake
Something rare and unintended
A nice little surprise like
Oh hey what’s you apple pie?What if I’m overthinking this? What would this project be if I only gave myself a week to do it? I don’t want to do it in a week (like I did with a week into the weird) but, wait maybe I’m trying to think my way out of a thought possible overthinking. So much think! Where’s the FEEL?
Mistakes lead to embarrassment. People don’t like embarrassment.
ethical words
loaded questions
leading questions
complex question“For example, “Is Mary wearing a blue or a red dress?” is fallacious because it artificially restricts the possible responses to a blue or red dress. If the person being questioned wouldn’t necessarily consent to those constraints, the question is fallacious.”
What about a piece in which I allow for creation of a character by the readers?
This is the feeling of Tyler
Is Tyler a 40 year old or 50 year old?
Is Tyler wearing a red shirt or blue shirt?Reading through some blog posts, mostly copywriting focused, about emotionally-charged words.
Imagine you because
Who else can?Here’s another random spurt:
Shed yourself of those bandaged wounds
Formed from not nows, too lates, too soons
Remove them
Notice how they’ve healed?
You’re not good enough
You’re too fat
You’re too skinny
You’re too self-centered
How could you do this?
I thought you were better than this
You know better than this
Why can’t you be more like him?
Why can’t you be more like you?
I love you just the way you
Will be when I’m done with you
Is that really your car?
You don’t drive?
I think you should try something else
Oh, I forgot you were hereWhat would I write if I was writing to 17 year-old myself at ? Or 18? Or 19? I’m mentally making it now. It’s exiting but the prospect of actually publishing something like this under my real name scares the shit out of me. What scares me most? Are these fears justified?
https://www.instagram.com/p/BaT4vXRhXzQ/?taken-by=tylerfugazzie
What if I tried to mine emotions from my earlier works? What if I made this a book of feelings of the characters in books and pieces I’ve already written? Like older Zach Papper? The window washer’s family? And I did them in a Citizen Kanesque interviewing style. Some people hate me, some love me, some fear me. They treat me like I’m their God, because I am.
You made me laugh at my grandmothers funeral
You made me cry when I was about to hook up with my crush
You made me
You gave me this
How could you?
What kind of creator does this?
Gives something life
And gives it these ridiculous mixes of emotions
Humans are supposed to emotions
Not fictional characters!
Why could you make me like
Some stunning hero full of confidence
Some cunning intellect full of wit
Or some running joke full of piss?
You assholeWhat do I do with “You don’t know how it feels” or “That feel when”? Do those fit in with this concept? I think I’d need to try this approach out first to see. It feels like a cop out in some way instead of trying something new. But it is new. And it’s recontextualizing along with possibly giving people a reason to visit or revisit some of my other work.
This is Part 5 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 4: Don’t We Usually “Feel” Neutral and When We Do It Actually Makes Us Closer to the Universe?
What are you trying to say?
What are you trying to say?
What are you trying to say?I’m not trying to SAY anything, I’m trying to FEEL feeling itself and share that feeling.
FEEL feel FeEl FEEl feeL feEL feEl fEel
FEeL FeEL Feel f-e-e-lhttps://twitter.com/heyifeellike/status/915659650846031872
Feeling as expressed through facial expression. I am mostly neutral-faced when using the internet.

Am I neutral feeling? What is a neutral feeling? To feel default? Defelt? Neutral. Phonetically similar to natural. Neutral colors are earthy tones, more muted, though often conjures up gray for me. Colors and feelings. Angry as red. Sad as blue. Disgust as green. Fear as purple. Joy as yellow. Pixar as inspiration. Surprise as orange?
So often we’re defined by our emotions even though emotions can be viewed as deviations from a neutral state of being which is likely our most common state of being. But who the fuck remembers the neutral hours? The times they felt neither one way nor another?


There’s a quote I once saw shared on Brain Pickings that had to do with something similar to this. I can’t remember or find it. Conducted some unsuccessful internet quote-sourcing hunts. It was something like: it is in the uneventful moments we are made or those quiet days are the ones that define us or something like that. It sticks with me because when you think about the process of memory and identity and how we transmute our experiences into works of art, we’re typically mining the most significant stuff which would be the strongest emotions or clearest lack of emotion. Not a common nonemotion of neutralness.
Yet that’s what we experience the most. It would be like writing a whole book dedicated to the word THE (which I tried doing once). It’s the most commonly used word in English. Yet it’s totally neutral. It serves the same purpose whether it’s articling for The Best (yay positive) or The Worst (boo negative) and doesn’t seem to make any judgements one way or another. In a way, The is like the indifferent universe. In a way, we are like the indifferent universe experiencing itself, most especially when we are feeling as neutral as a body of gases and liquids held together by gravity. If this inspires awe, then you’ve lost that beautiful universe. I don’t see any stars dropping their jaws at the thought or sight of other stars.
Think I got off track there. It’s almost tragic but not really. What if we were defined by these most common moments and emotional non-states? That’s where most of my life lives. What if it was a movie about shades of neutral emotions. Emotions can’t be neutral? An Invisibilia episode introduced me to a model of thinking about emotions that says emotions are “concepts” that are ascribed to the pre-concept feelings of pleasure, pain, excitement, and calmness. Pleasure and pain being the positive/negative valences and excitement and calmness being the level of arousal.
This brings to mind some title ideas:
- This Needless Neutral Feeling
- I Feel Like a Forgotten Meme
- I Feel Like
- I Feel Neither One Way Nor Another
- I Feel
On a few other notes, I found these last night:

Cute designs, catchy concept, and pretty smart since it lets consumers buy the right kind of chocolate based on their mood, which I notice is a popular motivator for grabbing a bar.
On an internet-related note, I discovered this song in my Discover Weekly.
Can You Talk to People Around the World on the Internet by Hot DadFunny, I like the tune, and it gave me a shot of inspiration that this musician and is making music like this and other ridiculous, meme-y jams that occupy a near-Wurtzian musical-meme-comedy space like “I Really, Really, Really Like This Image,” “Philip DeFranco,” “I Should Have Made a Song About Fidget Spinners,” an album about TV shows, and an album about pro wrestlers.
I needed this feeling of “internet-based creative type” weirdo kinship. I had a rough day, almost completely oversleeping and sprinting to catch my train with a pounding headache after not getting much sleep. This displeasure primed me to feel down about this project’s prospects, why I can’t just make some hashtag relatable short-form millennial-friendly pseudo-aphorism content on brightly-colored backgrounds that I could sell to Penguin Random House and get invited to do presentations about creativity, why people my age are getting married, why I can’t make any good MEMES, and why these previous two concerns hold such equal weight for me.
I experience a flurry of doubt and resistance with all my projects. If my first “creative project” in this vein was Hand It: The Hand Gesture Manual, I’m in my fifth year proper of doing creative projects outside school or work. That’s not such a long time relatively speaking but my creative projects, especially the written works, have felt like the defining part of my life in this time span. At this point I don’t have a real “audience” to speak of outside supportive friends. I don’t want to diminish the support of my friends because I am incredibly grateful to the people I know who seem to enjoy my work and support it. It helps keeps me going and blows my mind since I know how many creative things out there compete for all of our attention. Luckily I have a full-time job and am not dependent on these things to make a living but it begs the question of how long can I continue doing this kind of stuff in obscurity. It feels like an inflection point in which if I want a bigger audience, I need to do things that are more mainstream and attractive to more people. It’s discouraging in a sense because I feel like I “can’t” do it but it’s also discouraging that I can’t just totally embrace my quirks and follow my weird to the ends of the earth.
These projects are almost as nourishing to me as eating so I’m going to keep doing them, and I enjoy eating alone, but I’m getting lonely and want to find more people to share meals with. I’ve mentioned before how I want all my projects to have some element of interactivity and conversation with it and doing this stuff can make me feel like I’m just talking to myself.
This project blog is just going to turn into a moth joke with less humor and no punchline.
This is Part 4 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 3: Using Pop Song Lyrics to Write “Feeling it”
It’s Sunday so I took some time to review the Google Docs, scrolling through the piece titles to see what I felt like working on. I stopped at “Feeling it.”
This was the placeholder text/raw material I had:
here we go here we go here we go here we go here we go here we go
oh yeah oh yeah o yea
here it is
i’m feeling it
wow
are you feeling it?Complete garbage. But I had an idea: what would happen if I made the piece from lyrics of dance-pop songs that have the word “feeling” in the title?
Originally, I was going to keep lines from the songs in tact and just jumble the order of them, which was a technique I did for two abandoned TRAPPED IN DEJA VU TV pieces, but then I decided to get a word set from the 25 most frequently used words in the lyrics. I took lyrics from “CAN’T STOP THE FEELING!” by Justin Timberlake, “Good Feeling” by Flo Rida, and “I Gotta Feeling” by The Black Eyed Peas.
Here are the words I ended up with: body, creeping, dance, dancing, feel, feeling, fill, god, gonna, gotta, imagine, keep, live, night, nobody, oh, rock, shut, smash, sometimes, spend, stop, tonight, top, yeah.
As I was writing, I found it fun to make the piece like song lyrics.
Feeling it
nobody imagine tonight
gotta dance (oh god)
gotta rock (oh yeah)
gotta dance (oh god)
gotta rock (oh yeah)
gotta dance (oh god)
gotta rock (oh yeah)dancing feeling creeping
gonna smash (night live)
nobody stop (spend top)
gonna smash (night live)
nobody stop (spend top)
gonna smash (night live)
nobody stop (spend top)body feel feeling
fill feeling (fill)
keep shut (keep)
fill feeling (fill)
keep shut (keep)
fill feeling (fill)
keep shut (keep)I want it read slightly like the nonsense lyrics of a pop song like “I Want it That Way” by the Backstreet Boys.
There’s something fascinating to me about simplified writing such as poetry written by a computer, pidgin language, Rickyisms (malapropisms and eggcorns), Doge speak and All Your Base Are Belong to Us (broken English memes), SMS language, Internet slang, Newspeak (maybe I can add Bellyfeel to the list of pieces?), and some other examples I can’t recall right now.
There’s a tinge of darkness to these lyrics as well. I wonder if I can make it into something like uncanny pop or spooky pop or nightmare pop.
This piece doesn’t feel done but I’m going to leave it be for now and revisit it later. Deciding when a piece is “done” is one of the hardest things to do.
This is Part 3 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 2: I’m Not Going to Pretend
I’m not going to pretend like I know what the hell I’m doing with this “feel” project. I’m not going to pretend like I know where it’s going. I am going to pretend that blogging about it matters and will affect the development in a meaningful way.
Something that I want to resolve is the difference between a feeling and emotion.
Neel Burton wrote the following for his article “What’s the Difference Between a Feeling and an Emotion?” in Psychology Today:
“An emotional experience, by virtue of being a conscious experience, is necessarily a feeling, as are physical sensations such as hunger or pain (although not all conscious experiences are also feelings, not, for example, believing or seeing, presumably because they lack a somatic or bodily dimension). By contrast, an emotion, being in some sense latent, can only ever be felt, sensu stricto, through the emotional experiences that it gives rise to, even though it might also be discovered through its associated thoughts, beliefs, desires, and actions.”
So we feel emotions, but emotions aren’t the only thing we feel. And we come to understand emotions by feeling them but can also come to understand them through other means.
My initial interest in “feel” partially arose from feeling as in feeling emotions but also feeling as in touch but also feeling as in hunger. Most of the pieces I currently have seem to focus on emotion and only one focuses on touch.
The idea of feeling something like hunger or pain also brings up the role senses will play in this project. Back in college, one of my favorite creations was an interactive presentation for my public speaking class called “Beyond Five Senses” which I delivered to introduce my classmates to the kinesthetic sense, sense of pain, and sense of balance by way of demonstration.
This past summer, I noted down the different senses as a way to spur some new writing. I would consult the list, considering which senses I wanted to engage for the reader. Here’s that list:
Human/Physical/Common- Hearing
- Sight
- Smell
- Taste
- Touch
Human/Physical/Uncommon- Balance
- Fullness
- Heat or Cold
- Hunger
- Itch
- Kinesthetic
- Magnetoception
- Muscle stretch
- Nausea
- Oxygen / Lung Inflation
- Pain
- Pressure
- Thirst
- Time
- Vibration
Human/Abstract- Accomplishment
- Agency
- Beauty
- Belonging
- Caution
- Common
- Community
- Control
- Direction
- Entitlement
- Familiarity
- Fashion
- Fulfillment
- Gratitude
- Guilt
- Humor
- Joy
- Judgment
- Justice
- Knowledge
- Longing
- Loss
- Loyalty
- Meaning
- Morality
- Nature
- Normalcy
- Nostalgia
- Obligation
- Ownership
- Place
- Purpose
- Quality
- Relief
- Responsibility
- Self
- Sixth
- Style
- Unity
- Urgency
- Value
- Vulnerability
- Wonder
- Worth
Animals- Echolocation
- Electroreception
- Infrared sensing
There is some real overlap between these senses and emotions. Almost all of these are felt.
Today I read Melissa Dahl’s “10 Extremely Precise Words for Emotions You Didn’t Even Know You Had” in New York Magazine’s Science of Us. This article introduced me to Tiffany Watt Smith’s The Book of Human Emotions: From Ambiguphobia to Umpty — 154 Words from Around the World for How We Feel. I’m now reading this book and it may prove to be very influential on this project.
Here’s the book’s official description:
“A thoughtful, gleeful encyclopedia of emotions, both broad and outrageously specific, from throughout history and around the world.
How do you feel today? Is your heart fluttering in anticipation? Your stomach tight with nerves? Are you falling in love? Feeling a bit miffed? Do you have the heebie-jeebies? Are you antsy with iktsuarpok or filled with nakhes?
Recent research suggests there are only six basic emotions. But if that makes you feel uneasy, suspicious, and maybe even a little bereft, THE BOOK OF HUMAN EMOTIONS is for you. In this unique book, you’ll get to travel across the world and through time, learning how different cultures have articulated the human experience and picking up some fascinating new knowledge about yourself along the way.
From the familiar (anger) to the foreign (zal), each entertaining and informative alphabetical entry reveals the surprising connections and fascinating facts behind our emotional lives. Whether you’re in search of the perfect word to sum up that cozy feeling you get from being inside on a cold winter’s night, surrounded by friends and good food (what the Dutch call gezelligheid), or wondering how nostalgia evolved from a fatal illness to enjoyable self-indulgence, Tiffany Watt Smith draws on history, anthropology, science, art, literature, music, and popular culture to find the answers.
In reading THE BOOK OF HUMAN EMOTIONS, you’ll discover feelings you never knew you had (like basorexia, the sudden urge to kiss someone) and gain unexpected insights into why you feel the way you do. Besides, aren’t you curious what nginyiwarrarringu means?”
This idea of what the basic or “core” emotions are is one I’m looking into and apparently there’s no clear consensus.
The Science of Us article cites a published study in which a team of psychologists used the latest brain-imaging to identify nine distinct emotions: anger, disgust, envy, fear, happiness, lust, pride, sadness, and shame.
The intro to The Book of Human Emotions identifies six common emotions among the many different models of emotion: disgust, fear, surprise, anger, happiness, and sadness.
There’s Robert Plutchik’s Wheel of Emotions, which shows eight basic emotions along with magnitudes and combinations:

Then there’s also this emotion vocabulary wheel made by English teacher Kaitlin Robbs, which builds from the same six basic emotions the aforementioned book intro identifies.

And I’d be remiss if I didn’t mention the basic emotions Pixar chooses for Inside Out. Nerdwriter has a good video essay about this movie: Inside Out: Emotional Theory Comes Alive. There’s also this chart made by Vox of all the other emotions you can get from combining those used for the five emotions in Inside Out.

And I’m still thinking about the role of memes in this whole thing.
https://twitter.com/tylerfugazzie/status/918636791770558465
Here’s a meme I saw recently that does a humorous job explaining Radiohead’s different albums. It focuses on personality and isn’t the best representation of what I’m thinking about, but Radiohead’s music is very emotional so it’s an interesting reference point.

I’ll be diving further into the meme aspect of this project in future posts.
To cap this update off, I also wanted to share that my explorations today reminded me about 100 Years – Wisdom From Famous Writers on Every Year of Your Life by Joshua Prager with visualizations by Milton Glaser, a very famous graphic designer known for creating the I ❤️ NY logo. The book celebrates every age from birth to 100 with quotations from the world’s greatest writers. It’s well-curated and an interesting concept. I’ve read through it once and enjoyed it. It’s full brilliance seems to be how there’s a compelling reason to continually revisit as I age. It addresses the human experience in an elegant way and has something that everyone can potentially connect with.
Like most of my projects, I want this thing to be an experience that goes beyond an average reading experience. I want the words and visuals to be gateways to experience itself while documenting the human experience through a certain creative perspective to hopefully inspire, entertain, and get others to see the world or themselves in a new and exciting way.
This is Part 2 of “Feel” Project Behind-the-Scenes Blog.
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“Feel” Project Part 1: A New Project About “Feel”
I will be sharing progress and notes on this project as it develops, to get an authentic journal of what happens as it happens. This is like a behind-the-scenes look as I try to make this next project happen, even if it mutates into something else entirely. I have a general sense of where this might go but any definitive statements at this point would be premature.
This blog entry exists as the following sections: Origin Story, Title, Content, Process, Publishing, Questions, and Research.
Origin Story
It started with a jotting a list down in Evernote of different “feel” phrases:
- Feeling some type of way
- I like the feel of it
- So many feels
- Gives me feels
- It’s an abstract kind of feel
- That feel when
This “feel” concept stuck with me for a few days. I wasn’t sure what form they’d take or even if anything would happen with it; around the same time “warm” and “charm” caught and lost me almost immediately. I thought: Are these designs I share on Instagram? Are these a visual book? Are these short stories? The only thing that was clear to me was that these phrases had that special quality to them that usually means the beginnings of a new creative writing project.
As detailed in a journal entry on October 9:
“Will I be able to write poetry anymore? Or am I fully into design? Obviously go with the flow. Is my voice actually locked inside CAPS LOCK content? Let’s give something a try.
Feeling some type of way
(affection)[RAW WRITTEN CONTENT EDITED OUT]
Oddly getting some raw material out of this. What if I tried in lower case?”
I got raw material for some of these phrases. It sucked and I didn’t include about 95% of it in the next iteration but it was nice to finally get some direction and body to these phrases.
On October 10:
“it’s funny how i had these ‘feel’ ideas written down, uncertain about what it would be, and then last night feeling agitated and insecure that i couldn’t write poetry, or creatively, anymore, and then give it a shot and now i have some decent starting material and a name change for the ‘book’ or ‘booklet’ or whatever thing it will be. maybe i should do an 800px by 800px image to pair with each piece and upload it to my website? should i try to send it to an indie press for co-publication? could i try to get a sponsor for it? what would be in it for them? why would i want this sponsored? can i even really classify this as poetry when it’s really just this confessional, bloggy, repetition leading device thing? after doing that though i feel more open. more conversational and somewhat light-hearted. i should be gearing up for sleep, and kind of am, but i am definitely feeling good and energized from this. create first, edit later. no judgement or self-doubt or ‘is this actually poetry’ type nonsense right now. right now it’s in the stage of getting material out to work with. and from there the shaping begins.”
Not much concern for tense, grammar, or coherence in this entry but I’m sharing this unedited so you can get an authentic view into the process which will definitely include lots of questioning and chaos.
Title
Names I’ve run through so far: Feel, The Feel Collection, Feel Feelings, Feelings Feel, Feel Feelings While Feelings Feel, Feeling Feel Feels, Feeling Feels Feel.
I’m currently sticking with Feeling Feel Feels.
Content
Here’s the current list of pieces:
- Feeling some type of way
- I just feel like
- I like the feel of it
- I’m feeling feelings
- So many feels
- Gives me feels
- It’s an abstract kind of feel
I know that feel- That feel when
- Feeling it
- I feel like I feel
I’m sorry you feel that way- How I feel about how I feel
- There’s no better feeling
How does it feelHow does that make you feel?- You don’t know how it feels
- How do you feel?
- There’s a feeling in the air
- It doesn’t feel like anything
- I feel you
- The feeling is mutual
- F E E L
- What is this feeling?
You Won’t Feel a Thing
Note: Bolding indicates pieces with raw written material and strikethrough indicates pieces that were cut as I made this post
Process
- Evernote (phone and laptop) for writing and developing “raw” material
- Evernote (phone and laptop) for writing and developing the blog post
- Google Docs to store the “master content” to update with whatever new material I have in Evernote and to work on when I have time for concentrated writing and editing
Publishing
After texting a friend for advice, the working plan is to publish this as a collection on this website.
I have some thoughts about having a section for contributions for content and maybe ways to support the work financially. I want memes tied into this somehow. I mean “that feel when” is a meme and this is a very “internet-culture” friendly list: So many feels, Gives me feels, It’s an abstract kind of feel, I know that feel, That feel when, F E E L.
Questions
- Do I want to write these pieces entirely in first person?
- How will blogging during this creative process affect the process itself?
- What is it that was so interesting to me about that initial set of phrases?
- What do I want to continue doing that I did in my last project?
- What do I want to do differently than I did with my last project? (process blogging is already one example)
Research
Some reading and research I’ve done so far that have some influence on the work.
- List of feelings
- Another list of feelings
- Reddit discussion about hauntology in vaporwave
- Psychology Today article about feeling two feelings about once
- TV Tropes search for “feel” tropes
Fun little note: I experienced a frequency illusion as I was listening to Tyler, the Creator, then Lupe Fiasco, then Pharrell in which I discovered a Pharell song called “How Does it Feel?” Feel is a very common word and a natural topic for a number of areas in which humans create things, especially artistic and expressive mediums, so I expect this to happen a lot during the course of this project.
This is Part 1 of “Feel” Project Behind-the-Scenes Blog.
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“…making sure you carry your necessary rectangles…”
“You step through a rectangle to leave the bedroom, step through another to wash (perhaps using a cuboid of soap), dry your skin and hair with a rectangle, and check out your reflection in the rectangle. Make your way to the kitchen and open up the rectangle that shields the cold things; perhaps open another rectangle to warm something up. Take it from the counter rectangle and eat it on the table rectangle, sitting on a rectangular platform. Wipe your face with a rectangle. Leave the house through the rectangular portal, making sure you carry your necessary rectangles for identification, payment, work, and entertainment. Then you really enter the land of rectangles: the walls, the steps, the parking spaces, the sidewalk blocks, the signs, the crosswalks, the vents and gratings, all the windows, and every discarded wrapper of a rectangular eyeglass wipe.”
“Rectangular Vision” by @sarahdoingthing for Ribbonfarm
Whole article is worth a read as it follows up this mind-blowing revelation of the humble rectangle’s omnipresence by tracking down the world’s first known use of a rectangle, the appearance of shapes in nature, and a theory about 2001: A Space Odyssey.
